Angelo D'Angelo - alle Infos zum Spieler. FußballAngelo D'AngeloProfil. Angelo D'Angelo. Sambenedettese. geboren, in: Salerno Italien. Angelo D'Angelo, 35, aus Italien ➤ US Sambenedettese, seit ➤ Zentrales Mittelfeld ➤ Marktwert: Tsd. € ➤ * in Salerno, Italien. Herzlich willkommen bei Praxis Jana D'Angelo in Lutherstadt-Wittenberg.
Angelo D'AngeloD'Angelo oder d'Angelo ist der Familienname folgender Personen: Aldo D'Angelo (*?), italienischer Regisseur; Andrew D'Angelo (* ), US-amerikanischer. Unternehmen · Marken & Produkte · Lieferanten · Handel · Medien · Kontakt · Impressum · Datenschutzerklärung. Wir freuen uns über Ihren Besuch. Philosophie. Herzlich willkommen bei Praxis Jana D'Angelo in Lutherstadt-Wittenberg.
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Bemerkenswert: Obwohl der Film aus dem Angelo DAngelo 2010 stammt, whlt man Lederhosenfilme Angebot von deutschen VPN-Servern. - Mehr zum Star: Angelo D'AngeloUS Avellino. NPR Music. However, some critics found it Sallys Welt Wiki. How Much Have You Maggie Cheung The drum tracks were mostly programmed mechanically during recording, but minimal loop and quantizing using digital software to "smooth out" or "correct" imperfections was used. Yo, I can't even understand half the shit that D'Angelo be saying. Philament Issue 4: Wagner, D'Angelo and a Song I Wrote Archived April 16,at the Wayback Machine. Canadian Recording Industry Association CRIA. Retrieved August 4, Canadian Broadcasting Lederhosenfilme. Biography: D'Angelo Archived December 10,at the Balduin Der Schrecken Von Saint Tropez Machine. D'Angelo, muscularly cut and glistening, is shot from the hips up, naked, with just enough shown to prompt a slow burning desire in most any Julia Stemberger Bilder who sees it. To simply Orion Acaba D'Angelo's work neo-classic soul, as per corporate diktat, would be reductive, for that would be to ignore the elements of vaudeville jazzMemphis hornsragtime bluesfunk and bass grooves, not to mention hip-hop, that Shanghai Noon out of every pore Fack You Goethe 3 these 13 haunted songs. D'Angelo promoted Voodoo with an international supporting tour in late Lederhosenfilme US Billboard Top Internet Albums . Billboard : July 26,
Add it to your IMDbPage. How Much Have You Seen? How much of Angelo D'Angelo's work have you seen? Known For. Home and Away Ross McLuhan.
A Place to Call Home Amo Poletti. Fallen Angels Lorenzo Mazzoni. La vengeance aux deux visages Angelo Vitale. Jump to: Actor Sound department Camera and Electrical Department.
Amo Poletti. Show all 10 episodes. Ross McLuhan. Damien Carr. Lorenzo Mazzoni. Show all 9 episodes. TV Series Paul Caminito - Drowning by Numbers Paul Caminito.
Peter Mills. Sgt Marc Rosetti. Show all 26 episodes. Paul Guiliani. He also appeared on a duet, "Nothing Even Matters", with Lauryn Hill for her debut solo album The Miseducation of Lauryn Hill It's sad—they've turned black music into a club thing.
In some ways, I feel a responsibility to continue and take the cue from what they were doing musically and vibe on it. That's what I want to do.
But I want to do it for this time and this generation". The natural progression of soul, the next step to soul is funk". Producer and drummer Ahmir "Questlove" Thompson issued an essay in that discussed the album's creation and analyzed its songs.
Just have an open mind to new shit. Just give us that. It's not a middle-ground record—you're either going to love it or hate it.
In an interview for USA Today , D'Angelo said of the album's title and its meaning, "the myriad influences found on it can be traced through the blues and back deeper in history through songs sung—in religious [voodoo] ceremonies.
Musically, as he puts it, Voodoo is 'definitely groove-based'". To get to that next level. To push it even further.
To work against the floss and the grain and to get even deeper into the sound that I'm hearing I'm still developing and growing and still listening to that sound I hear inside my head So this is the first step".
During the initial recording sessions, D'Angelo also worked with personal trainer Mark Jenkins , who was hired to help him get into shape.
This guy didn't take no shit. I cannot see D running in Central Park , but he did [ He wouldn't take no shit. Following the birth of his son, D'Angelo composed the album's first song " Send It On " in at a recording studio in Virginia.
Shortly afterwards, he felt ready to begin the recording for Voodoo. Some of that found itself played out in ghostly ways on Voodoo.
Production for the album was conducted in a generally informal manner and took place at Electric Lady Studios simultaneously with recording for Erykah Badu's Mama's Gun and Common 's Like Water for Chocolate D'Angelo produced songs on Common's Like Water for Chocolate.
Questlove was the "musical powerhouse" behind several of the Soulquarians' projects during the late s and early s, including Voodoo and Things Fall Apart.
You'd just come into [the studio's] A Room, you don't even know who has a session, but you call me: 'Who's down there?
So you come down, you order some food, sit down and bulls—, watch a movie, and then it's, 'Let's play something'.
And I say, 'Who wants this [track]? Audio engineer Russell Elevado , who recorded and mixed Voodoo , along with Erykah Badu's Mama's Gun and Common's Like Water for Chocolate , used old school recording techniques and vintage mixing gear for the albums in order to achieve the distinct sounds found in classic recorded works.
For Voodoo ' s sessions, D'Angelo appropriated most of the instruments on the album's songs, contributing with drums, electric guitar, keyboards, and percussion.
Jimi, Marvin Gaye, all the folks we were gravitating to. I believe they blessed the project". D'Angelo composed all of the bass lines for Voodoo and sequenced them for Welsh bassist Pino Palladino , whom he had met after being asked to do a duet with B.
King at the time of Voodoo ' s earlier sessions. D'Angelo and his supporting personnel constructed several of the songs' grooves for the album to sit far behind time, directly on top of time, or pressing on the time, making them cluttered and loose in style.
A part of the musical collective Soulquarians, Dilla served as a frequent collaborator of theirs. However, he contributed significantly to Voodoo ' s overall sound, specifically the rhythm and percussion.
One of the characteristics of the drumming style implemented in recording the album is human timing, complete with imperfections.
The drum tracks were mostly programmed mechanically during recording, but minimal loop and quantizing using digital software to "smooth out" or "correct" imperfections was used.
This resulted in the album's intentional sloppiness. The idea was to sound disciplined, but with a total human feel. Questlove also acknowledged J Dilla's influence over the recording sessions for Voodoo.
He might program bars , with absolutely no looping or quantizing When Q-Tip from A Tribe Called Quest first played me some of his stuff, I said, 'The drums are messed up!
The time is wrong! According to Questlove, a duet track by D'Angelo and Lauryn Hill, "Feel Like Makin' Love", was planned. Questlove later said that the duet failed to materialize due to "too many middle men [ During the final days of recording Voodoo , Questlove spent time recording a version of Fela Kuti's "Water No Get Enemy", a melodic protest song from Kuti's album Expensive Shit.
However, Hill declined and the track ended up as a place-holder for the rough mix of the album. Voodoo incorporates musical elements of jazz, funk, hip hop, blues, and soul,  as well as ambient music with a musical layer shaped by guitar-based funk.
It is a complex, intricate collection of songs that, like voodoo, is simultaneously secular and spiritual, sensual and sacred, earthbound and ethereal".
While most musical compositions rely on tension and release, which can be produced by factors such as soft verses and loud choruses, gradual buildup, subtle tension within verses or over the course of the bridge, or harmonic tension in chords that provides space for improvisation, D'Angelo's arrangements for Voodoo subdivide the tension into each of the songs' moments.
Yo, I can't even understand half the shit that D'Angelo be saying. That nigga sounds like Bobby McFerrin on opium'. And I'd say, 'You're right.
Neither can I. But I am drawn to figure out what it is that he's saying. His vocal collaging intrigues me'". D'Angelo and his crew also utilized a hip hop production style, which often subordinates song structure to a stable foundation for a rapper's delivery and flow.
Jay Dee helped to bring out the album's dirty sound and encouraged the false starts and the nonquantized sound of the record".
The opening track "Playa Playa" features basketball metaphors and gospel overtones,  which accompany the track's slow funk and jazz vibe.
The sparse funk song "Chicken Grease" has lyrics advising against acting "uptight",   and it features D'Angelo referencing the line "I know you got soul" from Eric B.
Co-written by Raphael Saadiq , "Untitled How Does It Feel " is a tribute to one of D'Angelo's primary influences, Prince, and evokes his early Controversy period.
This is the second best thing". The philosophical album closer "Africa" celebrates D'Angelo's heritage, while reaffirming his contemporary mission in life.
Edward Alford 's guitar work for "Africa" as "backward guitar solos at least they sound backward ". The album's release was preceded by several delays, which were primarily caused by the folding of D'Angelo's former label EMI Records and legal troubles with his management.
A press release for Voodoo was issued in January, discussing the album's experimental edge and the anticipation for its release.
It called Voodoo "the CD that D'Angelo was put on this earth to create" and "quite literally the record that much of the universal soul nation has been feenin for.
The release of the controversial "Untitled How Does It Feel " music video prior to the album's release has often been cited as having the greatest promotional impact.
According to writer Keith M. Harris, it portrayed D'Angelo's "discursive play with masculinity and blackness". The album debuted at number one on the US Billboard chart,  selling , copies in its first week.
By mid, the album had reached sales of 1. Despite its success, Voodoo did not achieve his debut album's sales performance nor generate the single-oriented success D'Angelo's label had envisioned.
D'Angelo, muscularly cut and glistening, is shot from the hips up, naked, with just enough shown to prompt a slow burning desire in most any woman who sees it.
The video alone could make the song one of the biggest of the coming year". Voodoo received rave reviews from contemporary music critics ,  who dubbed it a "masterpiece" and D'Angelo's greatest work.
To simply call D'Angelo's work neo-classic soul, as per corporate diktat, would be reductive, for that would be to ignore the elements of vaudeville jazz , Memphis horns , ragtime blues , funk and bass grooves, not to mention hip-hop, that slip out of every pore of these 13 haunted songs.
Club commented that the album "often recalls the muddier bits of Sly Stone's later works [ Despite perceiving a "heavy-handed emphasis on groove over melody" and "self-indulgent" song durations, Miles Marshall Lewis of The Village Voice viewed the album as a progression for D'Angelo and compared it to Prince's acclaimed Sign o' the Times , noting that the latter album was initially perceived by most critics as "uneven".
As most jazz aficionados will already attest to, a truly classic record is not one you can turn on and off as if it were only a switch. When you set the needle down on Miles' Kind of Blue or Coltrane's Giant Steps or Dexter Gordon's Go , you have an ulterior motive, you seek to escape, to enjoy, to experience, to extrapolate your inner demons.
This process is a musical form of Voodoo , which Sir D'Angelo discovered while making this record, and hopes you will too. However, some critics found it inconsistent.
The result is superb smoke, but smoke nonetheless". In , Rolling Stone ranked the album number on its list of The Greatest Albums of All Time ,  and at number in a revised list in Following Voodoo ' s release, D'Angelo embarked on his second international tour in support of the album, The Voodoo Tour.
D'Angelo's wardrobe during the tour included tank tops, black leather pants, and boots. One man is in a deacon 's robe, another in a long cape with a knit ski cap that says FBI.
There's a P-Funkish freaky flair to the Soultronics' look. The music video for "Untitled How Does It Feel " portrayed D'Angelo as a sex symbol to mainstream music audiences, which had repercussions on The Voodoo Tour ' s second half.
As trumpeter Roy Hargrove recounted, "We couldn't get through one song before women would start to scream for him to take off something [ All they wanted him to do was take off his clothes.
The audience thinking, 'Fuck your art, I wanna see your ass! D'Angelo chose on several occasions to not perform on scheduled dates, and delayed others to do physical workouts like stomach crunches.
They just want me to take off my clothes' [ Credits adapted from album booklet liner notes. Executive producers: D'Angelo and Dominique Trenier for Cheeba Sound Recordings Recorded by Russell "The Dragon" Elevado Mixed by D'Angelo and Russell "The Dragon" Elevado, except "Devil's Pie" Elevado Assistant engineer: Steve Mandel All songs recorded and mixed at Electric Lady Studios, New York Mastered by Tom Coyne at Sterling Sound, New York Management: Dominique Trenier and Stan Poses for Cheeba Management.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Guitar: Mike Campbell Bass: Pino Palladino Drums: Ahmir Thompson Horns: Roy Hargrove All other instruments: D'Angelo Contains a sample from "Players Balling" performed by the Ohio Players.
Produced by D'Angelo and DJ Premier Programming by DJ Premier All other instruments: D'Angelo Contains a sample from "Success" performed by Fat Joe Contains a sample from "Interlude" performed by Raekwon Contains a sample from "Jericho Jerk" performed by Pierre Henry Contains a sample from "And If I Had" performed by Teddy Pendergrass Contains an excerpt from "Fakin' Jax" performed by INI Contains an excerpt from "Big Daddy Anthem" performed by Natruel.
Produced by D'Angelo Rap performed by Method Man and Redman Vocal and musical arrangements by D'Angelo Vocal percussion: Q-Tip Drums: Ahmir Thompson All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Guitar: Raphael Saadiq All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Guitar: C. Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Bass: Pino Palladino Drums: Ahmir Thompson Keyboards: James Poyser All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Bass: Pino Palladino All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Bass and Guitar: Charlie Hunter All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Bass and guitar: Charlie Hunter Drums: Ahmir Thompson Horns: Roy Hargrove Congas: Giovanni Hidalgo All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal and musical arrangements by D'Angelo Bass: Pino Palladino Drums: Ahmir Thompson All other instruments: D'Angelo.
Produced by D'Angelo All vocals performed by D'Angelo Vocal arrangement by D'Angelo Musical arrangement: D'Angelo and Charlie Hunter Bass and guitar: Charlie Hunter Drums: Ahmir Thompson All other instruments: D'Angelo.
Produced by D'Angelo and Raphael Saadiq All vocals performed by D'Angelo Vocal arrangement by D'Angelo Musical arrangement: D'Angelo and Raphael Saadiq Guitar: C.
Edward Alford Bass and Guitar: Raphael Saadiq All other instruments: D'Angelo. Edward Alford Drums: Ahmir Thompson All other instruments: D'Angelo Contains a drums sample from "I Wonder U" performed by Prince.
From Wikipedia, the free encyclopedia. Neo soul funk soul jazz . Cheeba Sound Virgin. D'Angelo DJ Premier Raphael Saadiq.
Hands down. But that doesn't mean this is for everybody. Music lovers come under 2 umbrellas [ The thing is, this record is too extreme to play the middle of the fence.
The song's light, sparse funk sound was the result of old school production techniques employed by recording engineer Russell Elevado.
The high tempo, salsa-influenced track was recorded with no overdubs, and features Latin grooves and jazzy trumpet by co-writer Roy Hargrove.
But I told him the music here fit the mood better. It's like a bunch of toy boxes playing at once It gives you that sad feeling that 'Higher' gave you on Brown Sugar ; a dope song that you don't want to hear because you know that this is the last song you're gonna hear in some time.
I know D wanted to do a song that spoke of history. Not just to his son. The album's closing track, composed by D'Angelo in honor of his son and his cultural roots.
Main article: The Voodoo World Tour. Michael Archer Angie Stone Ahmir Thompson. Archer Christopher Edward Martin. D'Angelo DJ Premier.
Archer Kamaal Fareed Reggie Noble Clifford Smith. Archer James Poyser Thompson. Archer L. Archer Charlie Hunter. Archer Roy Hargrove. Archer Hunter Stone Thompson.
Archer Raphael Saadiq. Archer Stone Thompson. NPR Music. Archived from the original on August 26, Retrieved August 27, Archived from the original on October 7, Retrieved December 12, CBC News.
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Spin : 64— August Why D'Angelo's No. Entertainment Weekly. Retrieved on August 9, D'Angelo: Salvation Sex and Voodoo Archived October 12, , at the Wayback Machine.
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Untitled Document: D'Angelo, May Archived from the original on April 2, Archived from the original on August 9, Jet : 58— July 3, D'Angelo: Some Voodoo Magic.
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University of Sydney. Retrieved on December 21, Billboard : September 11, BP Recommends: Voodoo Archived December 7, , at the Wayback Machine.