Deutsche Erstausstrahlung: (ZDF). Über das südenglische Küstenstädtchen Broadchurch bricht ein exzessiver Medienrummel herein, als am Strand. Broadchurch III. DI Alec Hardy (David Tennant). ZDF/Colin Hutton. Trish Winterman (Julie Hesmondhalgh). ZDF/Colin Hutton. DS Ellie Miller (Olivia Colman). Broadchurch (in der Schweiz: Broadchurch – Ein Dorf unter Verdacht) ist eine britische Bemängelt wurde einzig die Übersetzung als Manko der ZDF-Ausstrahlung: „Das alles kommt durch die deutsche Synchronisation leider gebremst.
Broadchurchilyoyocontest.com · Serien · Broadchurch; Darum geht's - Broadchurch Staffel 3. Darum. Übersicht aller ZDF-Sendetermine der TV-Serie Broadchurch. Deutsche Erstausstrahlung: (ZDF). Über das südenglische Küstenstädtchen Broadchurch bricht ein exzessiver Medienrummel herein, als am Strand.
Zdf Broadchurch Broadchurch in the stream and TV: appointments with ZDF VideoDavid Tennant Has Found Keeping Broadchurch Secrets Completely Exhausting - This Morning
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Actor Andrew Buchan was attracted to the role of Mark Latimer by the authentic quality of the part. The way Chibnall showed how the community is affected by the murder, the newly unsettled relationships between the characters, and the disintegration of the bonds between people who once trusted one another also deeply attracted him to the project.
His audition scene was where Mark Latimer must identify the body of his son in the Broadchurch morgue. To win the role, he worked himself up intensely and cried profusely.
The role of Karen White was the other part cast early in the process. Actress Vicky McClure admitted, "It was quite a difficult role to take on and I had to think quite carefully about it.
Jodie Whittaker was cast as Beth Latimer, the mother of the murdered boy. She was hired after Buchan and McClure joined the series.
Her audition consisted of several scenes from the first episode. Whittaker admitted that she was very nervous about accepting a role in a series whose scripts had not yet been completed.
Chris Chibnall, however, told her that none of the actors would know who the murderer was not even the actor who played the killer until the last possible moment.
She found that highly appealing, for it raised the anxiety level in the actors and reduced each actor's willingness to trust the other characters.
She was also impressed by the heart-breaking way the first episode was written, and how many interesting characters there were in the series.
Actor Joe Sims was cast as Nigel "Nige" Carter, Mark Latimer's best friend and co-worker who has several secrets to hide.
Sims says he was hired relatively early in the casting process. Broadchurch appealed to him because he had seen the television film United , which had been written by Chris Chibnall and directed by James Strong.
He loved their work, and very much wanted to be part of their next project. He got the chance to audition because he had met Sam Hoyle socially some years before, and this connection—along with heavy lobbying by his agents—won him a meeting with director Strong and casting directors Hendry and Jenkins.
Sims admits that he was very nervous in his first audition, and auditioned several more times before getting the part. He believes his auditions improved each time, as he learned more about the plot at each audition which involved reading new scenes.
Matthew Gravelle was cast as Joe Miller, DS Miller's husband. Gravelle auditioned along with many other actors for the role, but Chibnall says that the casting team early on considered Gravelle their top choice for the role.
Whoever they hired to play Joe Miller would need to step up their acting game significantly in the final episode, so they researched Gravelle's past acting roles and watched as many of his performances as they could find.
Chibnall paid particularly close attention to the Welsh language television series Teulu , in which Gravelle had recently played a lead role.
Australian actress Simone McAullay was cast as local hotelkeeper Becca Fisher, with whom Mark Latimer has an adulterous affair. Chibnall had long envisioned Becca as an Australian, which made her an outsider in the Broadchurch community.
He also relied on the common assumption that Australians often seem bolder than most British, which gave the character licence to say things others might not.
McAullay received the first two scripts from her agent, and a short written sketch of the Dorset setting. She videotaped an audition at her home in Sydney , and sent it to Chibnall.
Thirty-six-year-old actor Will Mellor was cast as telephone installer and alleged psychic Steve Connolly. Chibnall had written the Connolly character to be in his 50s.
Mellor, however, auditioned for the role even though he was not the right age. He was cast, says Chibnall, because "Will came in and read and just blew it out the water.
And it was just, well, you have to give the part to him because he's redefined it! Pauline Quirke was cast as secretive caravan resident Susan Wright.
Chibnall had long been deeply impressed with her performance on the television series The Sculptress , and he wrote the role of Susan Wright with Quirke in mind, although the role was not written specifically for her.
Her audition, like that of others, used scenes from the first two episodes. Chibnall says that the producers worried that such a big star might not wish to do justice to such small role, but found that Quirke delivered a superb performance.
Casting for Broadchurch was complete in late June , and casting choices announced on 2 July James Strong directed five episodes of series one of Broadchurch , while Euros Lyn directed three.
Most of Broadchurch series one was shot on location, which the producers felt would heighten the reality and intimacy of the series. It is a lovely, beautiful place where something terrible has happened.
To achieve this, locations were chosen which would allow the characters to bring their private behaviors outside. A third element of the visual style was to use the change in seasons to help illuminate the way the emotional tenor of the drama changes during the series.
The first cast read-through occurred at Bloomsbury Central Baptist Church in London on 7 August Not all shooting was done on location.
Some sets were built at VISION Studios near Bristol where the television series Skins had just finished filming. These green screen shots were filmed at Waterloo Film Studios in London.
Broadchurch was shot in order. Very few scripted television programs are filmed in the order episodes are seen on the air.
It is far more common to shoot out-of-order. Usually, scripts are broken down into their component scenes and shots.
Scenes using the same locations or sets are shot at the same time, to minimise the time and expense of moving cameras and equipment.
Weather proved to be a hindrance to the production, and sometimes delayed shooting. Luckily, the sun shone during the first week of September , which was also the first week of location shooting.
But skies were partly or completely overcast for the remainder of the shoot. Additional location shooting occurred the last week of October and first week of November.
The weather turned much colder, with heavy rain and gale -force winds these two weeks. Location shooting atop Harbour Cliff was scheduled for the first few days of November, but the weather created such safety concerns that this had to be cancelled.
The production moved to Clevedon, and the clifftop filming was rescheduled for a few days later. Luckily, the weather had cleared by then.
The first read-through for Broadchurch series one occurred on Tuesday, 7 August This was a choice made by the actors. Olivia Colman said, "[Chibnall wrote] it so beautifully, so completely and utterly beautifully, that I would have felt faintly ridiculous approaching him and saying, 'Can I change it?
The script laid out how characters were to move and behave, but the actors themselves chose how to bring these directions to life.
For example, when Alec Hardy tells Ellie Miller that her husband is the murderer, the script called for Hardy to come round to Miller's side of the table and for Miller to vomit after the revelation.
David Tennant was allowed to improvise how he came round the table and whether he sat or stood. Olivia Colman improvised the portrayal of nausea by rising, crouching, turning to the wall, and vomiting.
But he felt this spontaneity freed the cast and permitted them to deliver far more intense performances. Subsequently, most of what the viewer sees in Broadchurch series one are first takes.
Actor Matthew Gravelle took his role as murderer and possible paedophile Joe Miller very seriously. You try to be as true to somebody who might actually be like that as possible," Gravelle said.
He found there was little scientific research in the area. It's probably an ego thing. He's not working. It's a self-worth issue.
Filming the scene in which DS Miller confronts her murderous husband required some special care. The scene had been suggested by Olivia Colman.
During her first meeting with Chibnall and Featherstone to discuss her character, she asked, "I just want to know, do we get him [the killer] and do I get to kick him in the balls?
The scene called for Colman to attack Gravelle, who would fall to the ground and allow Colman to kick him in the back. Gravelle's back was fitted with safety padding, but Colman's performance was so intense that she kicked him too hard and Gravelle was bruised for three weeks.
Director of photography Matt Gray said he approached Broadchurch as if it were a documentary film , rather than a television drama. Their goal was to depict the physical landscape in a way that differed visually from the emotions they were trying to depict.
To do this, fixed television cameras were used to photograph the geographical landscape beaches, cliffs, the estate field behind the Latimer house, etc.
A Steadicam or hand-held camera was used when the episode needed to depict the emotional relationships between people. This allowed the cinematographer to get very close to the actors without interfering with their performances.
Although Gray's cinematography was not nominated for a BAFTA Craft Award , it won high praise from Mike Hale in The New York Times , who said "the cinematography of Matt Gray, whose shots from every possible angle of the dramatic cliffs behind the Broadchurch beach[,] are essential to the show's ambience.
Broadchurch series one was "wonderfully shot by cinematographer Matt Gray, who seems to make the oceanside backdrop only more beautiful as the characters in front of it fall apart.
Visual clues to the killer's identity were given throughout the series. In the first episode, Mark Latimer walks along the Broadchurch High Street on his way to work in the morning.
Director Strong asked actors Matthew Gravelle Joe Miller and Adam Wilson Tom Miller to improvise some father-son horseplay.
Viewers could thus see Joe with his arm around Tom's neck, "strangling" him. The slug in the Miller household, first seen in episode two, is meant to indicate that there is something wrong the Miller family.
The producers and director James Strong paid particular attention to the visual style of the reveal. Chibnall wanted to expose the murderer's identity visually and dynamically, not through dialogue in a static scene on a set.
During a location site visit prior to filming, Chibnall, Strong, and Holmes walked from the house at Lavington Close to the house on St Andrews Drive.
As they crossed a footbridge over the Land Yeo , Chibnall—struck by the scenery of the area—realised that a single, uncut point of view shot of DI Hardy walking through the Miller house, through the garden, and into the garden shed was the way to reveal the killer's identity.
Chibnall and Strong decided that the shot in the first episode of Mark Latimer walking through the Broadchurch High Street should mimic this reveal shot in the eighth episode.
Costumes for Broadchurch were designed by freelance costume designer Ray Holman. Holman worked with the actors portraying major characters to ensure that the costumes fit the character.
He spent hours discussing the characters with the actors, and sometimes took the actors shopping or to costume suppliers to find the right look.
Holman crafted the "old and saggy" look of Alec Hardy's character to reflect the fact that Hardy "didn't really care what he wore. Holman also designed Ellie Miller's "unflattering grey work suit".
Having been a uniformed police officer, she had worked her way up in the ranks but still retained an unconscious desire to appear in uniform.
The grey trouser suit was critical to that look. There was disagreement about it, but Holman said he insisted on the red dress. Dein Passwort wurde erfolgreich geändert.
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Sie sind hier: zdf. Broadchurch III 2. Broadchurch - Broadchurch III 1. Broadchurch - Broadchurch III 2. Meanwhile Mark Latimer's desire to challenge the court verdict on Joe Miller brings him into conflict with Beth and Trish receives another, puzzling, message.
Written by don minifie Wow, things are more and more complicated that you thought. Everyone looks suspicious and a lot of people has something to hide.
Oh, and there is the number of men at the party. I also like the way that they keeps alive the stuff of the previous seasons. But the thing I like even more I love the fact that everyone is human with human problems.
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